Photo: Annie Kim
Michael Waters has published thirteen books of poetry, most recently Caw (BOA Editions, 2020), The Dean of Discipline (U Pittsburgh P, 2018) and Celestial Joyride (BOA Editions, 2016). Darling Vulgarity (BOA Editions, 2006) was a finalist for the Los Angeles Times Book Prize and Parthenopi: New and Selected Poems (BOA Editions, 2001) was a finalist for the Paterson Poetry Prize. He has co-edited several anthologies, including Border Lines: Poems of Migration (Knopf, 2020), Reel Verse: Poems About the Movies (Knopf, 2019), Contemporary American Poetry (Houghton Mifflin, 2006), and Perfect in Their Art: Poems on Boxing from Homer to Ali (Southern Illinois UP, 2003). His poems have appeared in Poetry, American Poetry Review, Paris Review, Yale Review, Kenyon Review, The Progressive and Rolling Stone. A 2017 Guggenheim Fellow, he has been the recipient of five Pushcart Prizes, fellowships from the National Endowment for the Arts, Fulbright Foundation, and NJ State Council on the Arts, and residency fellowships from Yaddo, MacDowell, Virginia Center for the Creative Arts, Anderson Center for Interdisciplinary Studies, St. James Cavalier Centre (Malta), Tyrone Guthrie Centre (Ireland), and Chateau de Lavigny (Switzerland). Waters teaches at Monmouth University and for the Drew University MFA Program. He lives in Ocean, NJ.
Caw. BOA Editions. 2020.
The Dean of Discipline. University of Pittsburgh Press. 2018.
Celestial Joyride. BOA Editions. 2016. Shoestring Press (UK). 2017.
Gospel Night. BOA Editions. 2011.
Selected Poems. Shoestring Press (UK). 2011.
Darling Vulgarity. BOA Editions. 2006.
Parthenopi: New & Selected Poems. BOA Editions. 2001.
Green Ash, Red Maple, Black Gum. BOA Editions. 1997.
Bountiful. Carnegie Mellon University Press. 1992.
The Burden Lifters. Carnegie Mellon University Press. 1989.
Anniversary of the Air. Carnegie Mellon University Press. 1985.
Not Just Any Death. BOA Editions. 1979.
Fish Light. Ithaca House. 1975.
Border Lines: Poems of Migration (co-editor). Knopf, 2020.
Reel Verse: Poems About the Movies (co-editor). Knopf, 2019.
The Pushcart Prize XXXVI: Best of the Small Presses (poetry co-editor). Pushcart Press,
Contemporary American Poetry (co-editor). Houghton Mifflin. 8th Edition. 2006.
7th Edition. 2001.
Perfect in Their Art: Poems on Boxing from Homer to Ali (co-editor). Southern Illinois UP.
Selected Poems by A. Poulin, Jr. (editor). BOA Editions. 2001.
Dissolve to Island: On the Poetry of John Logan (editor). Ford-Brown & Company. 1984.
Poetry; American Poetry Review; Paris Review; Kenyon Review; Yale Review; Georgia Review; Southern Review; Missouri Review; Iowa Review; Gettysburg Review; Michigan Quarterly Review; Ploughshares; Field; Rolling Stone; TriQuarterly; North American Review; Massachusetts Review; Mississippi Review; Shenandoah; Crazyhorse; Antioch Review; Arts & Letters; Hopkins Review; Poetry International; Pleiades; Carolina Quarterly; New Letters; America; Prairie Schooner; North Dakota Quarterly; Seneca Review; Chelsea; Christianity & Literature; Southern Humanities Review; Southern Indiana Review; South Carolina Review; Poet Lore; Cimarron Review; The Progressive.
from Reviews (selected)
"It is difficult to imagine poetry could be more finely crafted and compelling than the work of Michael Waters, who has been quietly writing some of the best poetry in the United States for the past three decades."
—Stephan Delbos, Prague Post
"In lines that are often metrically formal—the decasyllabic line appears in many of [his poems]—there is often a quite wild range of emotion, from the overtly sexual to the politically conscious, the plaintively domestic to the brashly cosmopolitan. This is highly energized verse."
—Michael Broek, Poetry International
"Waters seeks to capture the different kinds of negative space which interpenetrate American public life, history, and even the most intimate of moments ‘between two bodies’—what he calls 'the loneliness of two people / together.'"
—Jonathan Taylor, Times Literary Supplement
"A significant American voice… testifies eloquently to the persistence of the lyric in a time and history that would seek to obliterate it."
—John Mann, World Literature Today
"Waters excels at stark-eyed, honest elegies… all rendered in the strong free verse that is [his] signature. He is a poet of detail, but also one of directness, pursuing strong feeling wherever it dives or climbs."
"Waters seeks and appropriates a rich, malleable language that allows him to express the subtleties of human emotion and the realities of the human condition… Michael Waters is perhaps the best poet of his generation."
—Floyd Collins, Gettysburg Review